Produced by:
Christopher Sims, Liability Eden, Jack Stigner, Eleni Kyriacou
Performers:
Alfie Boyd, Maria Bridgeman, Orlando Britts, Annie Brooks, Louisa Copperwaite, Liability Eden, Sam Handwich, Lewis Ironside, Jess Jones, Rosie Jones, Eleni Kyriacou, Melanie May, Hannah Nicholls, Chloe Penney, Christopher Sims, Jack Stigner, Matt Wade, Claire Wilson, Sam Wyer
Original Concept by Matt Wade and Mr Posh Cat.
Christopher Sims, Liability Eden, Jack Stigner, Eleni Kyriacou
Performers:
Alfie Boyd, Maria Bridgeman, Orlando Britts, Annie Brooks, Louisa Copperwaite, Liability Eden, Sam Handwich, Lewis Ironside, Jess Jones, Rosie Jones, Eleni Kyriacou, Melanie May, Hannah Nicholls, Chloe Penney, Christopher Sims, Jack Stigner, Matt Wade, Claire Wilson, Sam Wyer
Original Concept by Matt Wade and Mr Posh Cat.
Through member Christopher Sims, The London Leisure Pirates were commissioned to transform seven different areas of the SHUNT Vaults into individually designed spaces for a durational interactive installation of the FoulPlay production, The Office of Correspondence. The audience entered straight into the cacophony and mayhem of a dysfunctional office. Rooms included telephone switchboard operations, sorting offices, typist desks, head office and the footsie 100 sock market.
Punters had to navigate themselves through L.L.P.’s orchestrated commotion, interacting and participating to an extent which suited them best. Performances were complimented with films created on sets of larger than life staging, built with the assistance of SHUNT’s production team. Characters and key events from the theatrical performances continued to order the workings of the floor creating notable pauses in proceedings for the pleasure of SHUNT’s paying patronage, FoulPlay serving a dish of bloated bureaucracy before the belly of the London Bridge Vaults..
Punters had to navigate themselves through L.L.P.’s orchestrated commotion, interacting and participating to an extent which suited them best. Performances were complimented with films created on sets of larger than life staging, built with the assistance of SHUNT’s production team. Characters and key events from the theatrical performances continued to order the workings of the floor creating notable pauses in proceedings for the pleasure of SHUNT’s paying patronage, FoulPlay serving a dish of bloated bureaucracy before the belly of the London Bridge Vaults..
